I thought this was a really elegant summary and powerful metaphor that helped me understand the perspective of people who believe it's a problem, even though it didn't change my position and attitude toward its applicability. The idea of "civilization" as a prison (babylon) is a very rich idea in rastafarian culture on whose shoulders dancehall stands.
If you know dancehall and even an outsiders view of rasta culture, I read the article as using a bit of trivia as an attempt at a kind of ideological castration of dancehall music by retelling its origins and attributing credit for it not to a black rastafarian man in Jamaica, but to an asian woman in Japan. Rastafarian masculinity is problematic for american black progressives, and the article seemed consitent with their cultural unmooring project.
While the objection to the metaphor a reasonable challenge - that the metaphor has underlying complexity doesn't diminish it for me.
If you know dancehall and even an outsiders view of rasta culture, I read the article as using a bit of trivia as an attempt at a kind of ideological castration of dancehall music by retelling its origins and attributing credit for it not to a black rastafarian man in Jamaica, but to an asian woman in Japan. Rastafarian masculinity is problematic for american black progressives, and the article seemed consitent with their cultural unmooring project.
While the objection to the metaphor a reasonable challenge - that the metaphor has underlying complexity doesn't diminish it for me.